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Whereas scholars and commentators usually suggest production trends are by-products of preoccupation with topical discourse or a response to a single hit film, this essay that they are determined by industry decision-makers' perceptions of the profit potential of a given type of film, of its profit potential relative to that of other types of film, and of its capacity to maintain the profitability of the supply chain linking producers to consumers. Prey for the devil showtimes near ontario luxe reel theatre caldwell. Its purpose was to record all colour names in use up to that time and to provide 'a record of color words and the particular sensations they identify' (Maerz and Paul 1930). 4mi Regal Edwards Nampa Spectrum 2001 North Cassia Street, Nampa, ID 83651 21. Although such movies have not always commanded the mass ('family') audiences for which they are intended, they have flourished in the domestic and international media marketplace since the 1970s, and their commercial and cultural dominance appears likely to extend further in the years to come. This tension of colour in fashion is present in the world of textile and retail industry.

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It does so through an analysis of the history of Portland's motion picture censor board in its various iterations in the early 1910s. 6mi Caldwell Luxe Reel Theatre 913 Arthur Street, Caldwell, ID 83605 16. Prey for the devil showtimes near ontario luxe reel theatre caldwell id. In the art, advertising, architecture, design and cinema of the jazz age, cultural fascination with colour was lively. Your file is uploaded and ready to be published. In this way, we hope to provide a better understanding of the meaning and function of colour in connection to cinema and fashion and of the friction between the wish to control and the need to vary in capitalistic consumer culture. You can download the paper by clicking the button above. 2Life after Divorce: The Corporate Strategy of Paramount Pictures Corporation in the 1950s.

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Since the 1970s, Hollywood family films have been the most lucrative screen entertainments in the world, and despite their relativelyunexplored status in academic film criticism and history, I will argue that the format is centrally important in understanding mainstream Hollywood cinema. Colour was also a subject of intense international debates concerning its artistic, scientific, philosophical and educational significance. Prey for the devil showtimes near ontario luxe reel theatre eagle id. Performing this action will revert the following features to their default settings: Hooray! Moreover, with the development of new and more accessible dyes, colour was more freely available to be exploited and experimented with.

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These intermedial conditions provide an important context to the development and use of colour in film during the decade and in particular the close interrelationship between colour, fashion and film. 4mi Regal Edwards Nampa Gateway 1232 North Galleria Drive, Nampa, ID 83687 22. YUMPU automatically turns print PDFs into web optimized ePapers that Google loves. For example, the Textile Color Card Association in America promoted the standardization of colours across the fashion industries as well as predicting and naming colours for the following season for the textile and retail industry (Blaszczyk, 2012). Whilst the idea of a universally-appealing film remains an impossible dream, mainstream Hollywood has pursued it relentlessly. 40 miles from Roswell, ID30. No longer supports Internet Explorer. Cinema Outside the City: Rural Cinema-Going from a Global PerspectiveThe Business of 'Wholesome entertainment: The Mascioli Film Circuit of Northeastern Ontario. This thesis maps the history of the Hollywood family film, documenting the motivations and strategies involved in its emergence and development, analysing the form creatively and ideologically, evaluating its place within global mass entertainment, and underlining its considerable importance.

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Thus proving there was a desire for both standardisation and variety in the growing consumer culture, resulting in colours becoming commodities. To get the full Quicklook Films experience, uncheck "Enable on this Site" from Adblock Plus. Initially, the audience for family films was predominantly domestic, but with the increasing spending power of international audiences, family films are now formulated on the belief that no market is inaccessible. "This paper will consider the interrelationship of colour, fashion and Technicolor in the 1920s through an examination of the intermedial context of colour standardisation and categorisation. These stars functioned as examples for young girls that were searching for their identity in this 'jazz age' or 'années folles'. 9mi Village Cinema 3711 East Longwing Lane - The Village at Meridian, Meridian, ID 83646 31. Colour systems such as the Munsell system were promoted as meanings of measuring and standardising colour. In order to explore these themes we will limit ourselves to two colours that were 'hot' in the spring of 1926 but were also linked to color films: Alice Blue from Irene (Green, 1926) and Phantom Red from Phantom of the Opera (1925). In addition, a case study of Portland's censor board provides much-needed analysis of censorship processes in area of the country that was, during this period, shedding its identity as a frontier setting and beginning to define itself as an urban center. Theatres near Roswell, ID.

'Fashion thrives on novelty and change' (Arnold, 2009) and colours are one means by which fashion can reinvent itself with each new season. Journal of Historical GeographyCinema's milieux: governing the picture show in the United States during the Progressive era. 1mi Nampa Reel Theatre 2104 Caldwell Boulevard, Nampa, ID 83651 20. This essay provides an analysis of the American film industry's fleeting foray in 1979 into roller disco movie production, countering prevailing notions about the conditions which underwrite surges in production of given types of film. The 1920s was a period in which colour was highly 'in vogue'. "This thesis is the first in-depth, historical study of Hollywood's relationship with the 'family audience' and 'family film'. 1mi Pix Theatre - Nampa 210 12th Avenue South, Nampa, ID 83651 30. Ooh no, something went wrong! The family film was the result both of external pressures to make films more morally-suitable for children, and the desire to engage a more middle-class mass audience. This paper explores how movie censorship developed in Portland, Oregon, and why theater managers and the city struggled so intensely over local censorship of motion pictures. DAR, University of BolognaResearching Women in Silent Cinema: New Findings and Perspectives.

1mi Ontario Luxe Reel Theatre 477 Southeast 13th Street, Ontario, OR 97914. For this reason, they are inextricably linked with Hollywood – the only film industry in the world with the resources and distribution capacity to address a truly global mass audience. It was also a decade that saw increased activity around colour standardization and categorisation and moreover efforts to produce a universal colour nomenclature. Participations: Journal of Audience & Reception StudiesThe 'Picture' habit: Bad decorum and delinquents at the Silent Cinema. One answer is that Hollywood's international power facilitates the global proliferation of its products, but this explanation, in isolation, is insufficient.

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