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Tune-Yards - Water Fountain Lyrics & Traduction

Ethically and technologically they were a million years ahead of humankind, for in unlocking the mysteries of nature they had conquered even their baser selves, and when in the course of eons they had abolished sickness and insanity, crime and all injustice, they turned, still in high benevolence, upwards towards space. It's a childlike chant, but the words are about heavy topics. " Tune-Yards - Water Fountain Lyrics. 26 Brighton, Concorde 2 *. Label affiliation would force reconciliation between her methods and the technological options newly opened. Yet this is exactly what Garbus and bassist/collaborator Nate Brenner have in mind for their project, tUnE-yArDs, as they write songs that are machinic, sporadic, and at times frightening, yet simultaneously warm, exuberant, and carefree. 5 A great many tUnE-yArDs songs—particularly on w h o k i l l—contain the words blood, bleed, or bled. 3 The album received numerous accolades, including positive reviews from Time, Rolling Stone, Spin, and The New York Times.

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Showing only 50 most recent. 3 Although not technically members of tUnE-yArDs, saxophonists Matt Nelson, Noah Bernstein, and Kasey Knudsen have been fixtures in tUnE-yArDs's live performances since joining the w h o k i l l tour in 2011. Above you can listen to 'Water Fountain' song and read its lyrics below: tUnE-yArDs – Water Fountain Lyrics. Se pou zanmi zwen, se pou zanmi zwen. The harpsichord and Garbus's jocular role-playing exist in an anempathetic relationship to the song's rather terrifying semantic content and the clearly inhuman, erratic modifications of the timbre and repetitions of her voice. Garbus's delivery of politically charged lyrics as vocalized schoolyard exuberance is reminiscent of the downplayed vocalization of lyrics in the folk/rock of Bob Dylan, who is of course channeling Woody Guthrie. 1 "An Interview with Merrill Garbus of tUnE-yArDs (101509) Dedicated Ears Music Blogs, " 3 November 2009, video clip, accessed 2 May 2014, YouTube, - 2 The unusual typography used for the duo's name and title of the first two albums derives from Garbus's plan to force those who would search for her on the once-thriving to depress additional keys (namely, shift and the space bar) at unpredictable—and thus memorable—times. 18 Garbus raps an MIA-infused refrain, "Don't beat up on my body, " which is laid on top of a sixteen-pulse time-point pattern and is one of the more overt adoptions of the yanvalu rhythm she studied in Haiti in preparation of Nikki Nack. Her aim was clear: embrace the ability to capture and create sounds with more fidelity while maintaining the sense of improvisation so essential to her method. Garbus reveals, "["Water Fountain"] is about my anxiety over the collapse of our societal infrastructure and the lack of drinkable water.

I saved up all my pennies and I gave them to the special guy. She told NME: "I find there's a natural pace when you're walking, which helps me practice lyrics and rhythms in a stream-of-consciousness way. Writer/s: Merrill Martin Garbus, Nathaniel J Brenner. 14 One particularly robust illustration of Garbus's tendency to focus on the childhood games of girls can be found in a YouTube clip embedded in a log of her trip to Haiti, which is posted on the website, The Talkhouse. The track is lifted from their upcoming new album 'sketchy'! I'll barely going round and round and round. What comes across as like a radical agenda…the radical agenda that girls on college campuses should be protected from rape? " Her interest in the function of music as a vehicle to interrogate Otherness offers an opportunity to change the conversation from viewing music in a context of cultural appropriation (and thus perhaps exploitation or fetishization) to functioning as a context for exploring power dynamics through the topics of nationality, childishness, and living with fear. In 2012, it was named the number one album of 2011 by critics in The Village Voice's annual "Pazz and Jop" poll. In this episode, Merrill Garbus of Tune-Yards breaks down "Water Fountain. " Tune-Yards - sketchy. No use in fighting back.

Water Fountain Lyrics Tune Yards Song

Textures, like conversations, become thickened by the polyphony of overlapping voices and then suddenly dissipate just as quickly as they amassed. I"ll kneel I"ll kneel the cold steel. As she draws out "I'm the real thing" with a chorus in tow, her insolent ridicule of the critical concern over authenticity is foregrounded. Through the sun-spangled glare coming off of "Water Fountain", it's not always clear. The sonic result expresses the filth and brutality of rape. 10 The presence of these elements in Garbus's music places her in dialogue with the many other artists who have done the same, albeit in different ways. With its hopscotch feel and clave propulsion, the single "Water Fountain" directly follows. "Water Fountain" (from the album Nikki Nack) is available on iTunes.

See Chuck Klosterman, "The Pitfalls of Indie Fame: On tUnE-yArDs and the Perils of Critical Adoration, " 27 January 2012, accessed 2 May 2014,. 12 London, Village Underground (SOLD OUT). 'Water Fountain' is the sound of maddening ideas boiling to the surface. Again, we may hear the "Nah-nas" of "My Country" reinterpreted. ) Minimum order quantity for this product is 10. It's true, it will remind us that we are, after all, not God. Gotcha We're gonna get the water from your house (your house) No water in the water fountain No wood in the woodstock And you say old Molly Hare Whatcha doin' there? This could be because you're using an anonymous Private/Proxy network, or because suspicious activity came from somewhere in your network at some point. Les internautes qui ont aimé "Water Fountain" aiment aussi: Infos sur "Water Fountain": Interprète: Tune-Yards. Song name: Water Fountain.

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Another recurring theme is water, which we can only speculate emerges from Garbus's extensive experience near it (in Montreal, Oakland, East Africa, and Haiti, for example). Nationhood here is potentially conflated with sexual preference and the United States's ambivalent attitude towards the subject. The song was inspired by a water fountain along Oakland's Lake Merritt. 4 Sasha Frere-Jones, "World of Wonder: How Merril Garbus Left the Theatre and Took the Stage, " The New Yorker, May 2, 2011, accessed 1 May 2014, /arts/critics/musical/2011/05/02/110502crmu_music_frerejones. TUnE-yArDs is the music project of New England native Merrill Garbus. Your fist clenched my neck, we're neck in neck and neck, and neck, and neck. Hey hey hey hey hey. 'Nikki Nack' is released on 6th May through 4AD.
Nikki Nack is also more lyrically dense than its precursors, but the additional text has little effect on the songs' messages or meanings. A vertigo round-and-round-and-round. Send me anything, make me ship as wise. I can"t seem to feel I"ll kneel. 9 Garbus's dress, use of the LP-timbre of Aka yodeling, two-against-three polyrhythms, bell patterns, and dance are certainly in danger of evoking the "primitivist fantasy" about which Feld writes, and Garbus is clearly aware of it. This piece combines the different aesthetics of drought politics, dance hall dub and youthful drive to create something that is at once as ordered as it is chaotic. 12 Further, in The Games Black Girls Play: Learning the Ropes from Double-Dutch to Hip-Hop, Kyra D. Gaunt offers an updated and corpo-centric exploration of these issues in a different context, as she demonstrates "how black musical style and behavior are learned through oral-kinetic practices that not only teach an embodied discourse of black music expression" but also inform a "discourse about appropriate and transgressive gender and racial roles" in African American populations.

Tune Yards Water Fountain Lyrics

They see men come and take my world. 13 Kyra D. Gaunt, The Games Black Girls Play: Learning the Ropes from Double-Dutch to Hip-Hop (New York: New York University Press, 2006), 2. Nikki Nack continues to explore Otherness through careful distancing, with the innocence of schoolyard negotiations of dominance being even more pervasive. This clap-along tune was released as the first single from her third album Nikki Nack. A lyrical round-and-round and round and round.

So listen to the words I say, baby. And so, at last, mankind began the conquest and colonization of deep space. Create an account to follow your favorite communities and start taking part in conversations. The album ends with its most overtly critical track, "Manchild. "

Water Fountain Lyrics Tune Yards Guitar

The spontaneity of individual and communal expression is rarely captured adequately in the pop format, and if successful attempts can be located they are typically far removed from the use of musique concrète, electronic percussion loops, disjunct melodies, and lyrical non-sequiturs. A sparse bass riff underlies the timbre of Garbus's expressive, hostile shout-speech, which projects refrains defiantly, pleadingly, and exuberantly as if performed outside for ritual dance. Lyrics © Kobalt Music Publishing Ltd. And you say old Molly Hare, Hare (Your fingers through my hair). The former features a high-register ostinato—which gets doubled in the sax section towards the song's end—constructed from vocal interlocking. At other times Garbus's critique emerges from another channel: soul. 01 Leeds, Cockpit *. Jump back, jump back. Wouldya wouldya wouldya listen to the words I say? Everything Indie Music related; from the newest releases and news, to discussion on the history of alternative music. Sound like a floral bouquet A lyrical round-and-roundandroundandround Okay Take a picture it'll last all day, hey Your fingers through my hair Do it 'til you disappear Gimme your head Gimme your head Off with his head!

With verses composed of ten-beat vocal phrases and a chorus in 6/4, Merrill and her chorus belt out and overlap distorted dissonances of defiance. Gotcha, gotcha (Woohaw! Sound like a floral bouquet. The climactic accretion of textural density all'improvviso towards the end of "Find a New Way" offers a sense of teleology not commonly found in the first two albums, however. 02 Bristol, Trinity *. We're neck and neck and neck and neck and neck and. 8 Steven Feld, "Pygmy POP: A Genealogy of Schizophonic Mimesis" Yearbook for Traditional Music 28 (1996): 26. Finger through my hair. PASS: Unlimited access to over 1 million arrangements for every instrument, genre & skill level Start Your Free Month. Let it sink into your head.

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