The Phantom Of The Opera

In the English-speaking world, he is best known for writing the novel The Phantom of the Opera (Le Fantôme de l'Opéra, 1910), which has been made into several film and stage productions of the same name, such as the 1925 film starring Lon Chaney, and Andrew Lloyd Webber's 1986 musical. The story tree in this visual novel is formatted similarly to Swan Lake. ISBN: 978-93-81182-51-2. In snatches, you will find that the writing isn't that great and engaging, so you may get bored in places but still you will not be able to put it down. The book makes you feel uneasy about not knowing and sets the tone brilliantly. He decides to let her and Raoul go and they run away to another part of the country.

1. The phantom of the opera book review books
2. Phantom of the opera book review
3. The phantom of the opera book review questions
4. The phantom of the opera book review movie
5. The phantom of the opera book review worksheet

The Phantom Of The Opera Book Review Books

Likewise, his love for Daaé is far more creepy-white-van killer than romantic highwayman. Find the book: Goodreads. Lloyd Webber is a creature, perhaps even a prisoner, of his time; with ''The Phantom of the Opera, '' he remakes La Belle Epoque in the image of our own Gilded Age. There is far too much drama for this novel to ever be considered even slightly realistic. Thanks to the uniform strength of the voices - and the soaring, Robert Russell Bennett-style orchestrations - Mr. Lloyd Webber's music is given every chance to impress.

Phantom Of The Opera Book Review

He leaves and she talks to Raoul and the Persian through the wall. The book was extremely interesting and thought provoking. If horror fiction is your cup of tea, well then you should stick to it and have your heart satiated. I assume he was wearing some kind of disguise through all of this to hide his disfiguration. By a third of the way through, I was invested and immersed. Published in 1910, it went on to become his most notable work. After months of playing ''Phantom'' in London, she still simulates fear and affection alike by screwing her face into bug-eyed, chipmunk-cheeked poses more appropriate to the Lon Chaney film version. While he is a mess, the Persian keeps trying to find some latch or screw, which he does ultimately find. Raoul's brother is in a relationship with a singer, but nothing much is said about it. This angel, however, is a bit more devilish than expected, and when Christine attempts to take a paramour, things get a bit weird. We're glad you found a book that interests you! He reveals his name: Erik. Forget what you've learned about THE PHANTOM OF THE OPERA, this is deeper, more subtle.

The Phantom Of The Opera Book Review Questions

Gaston Leroux, like other Gothic novelists, sets the story in an opera house full of secrets. Christine tells Raoul about her abduction. Torn between the conflicting love of a distorted musician and a handsome young nobleman, Christine finds herself engulfed in tragedy in the labyrinth beneath the opera. Shakespeare's text has been liberally but judiciously cut, staying true to the thematic meaning while dispensing with longer speeches (with the notable exception of the renowned "to be or not to be" soliloquy) and intermediary dialogues. Neither Christine nor Raoul realize that Erik has overheard their plans and he has become more enraged. Literary critics take this novel apart looking for symbolism and meaning, but no one gives the metaphors better explanation than O. in the last few chapters in which he speaks. Rating: Reading Challenges: Read 2015. But honestly, just stick to the musicals on this one. While it doesn't match France's literary merit heritage (thing that blew out of proportion over the last century anyway), THE PHANTOM OF THE OPERA is a narrative jewel that measures to the grand masters of gothic fiction.

The Phantom Of The Opera Book Review Movie

Biography of Shakespeare, dramatis personae, glossary) (Graphic novel. Christine is disgusted and horrified by him and tells him it isn't his face that bothers her, rather "it's in your soul where the true distortion lies. " She refuses nonetheless, but then realizes that he has also kidnapped Raoul and is keeping him in a torture cell. I'm glad I read it, anyway. We would of course encourage anyone buying this to support their local independent shops. I also enjoyed the psychological suspense aspect of the story as well. This is Book 37 in the Young Reading Series 2 Series. The Phantom of the Opera is not the romance it is made out to be, but a Gothic novel about an outcast genius and his obsession with a naïve young singer, whose virginal personality is more like that of a child than an adult woman. In the movie, there is also six months of relief from the Phantom during which time Raoul and Christine get engaged. The opera managers miss it all though because they are STILL talking about the bank note trick. There is a great deal of tension in the Phantom's obsession with Christine, though he keeps his goal focused on marriage until near the end of the story.

The Phantom Of The Opera Book Review Worksheet

The book itself is accessible, but the violence and disturbing content make it anything but a light read. A solid introduction for budding lovers of the Bard. But Mr. Crawford's moving portrayal of the hero notwithstanding, the show's most persuasive love story is Mr. There are numerous tedious descriptions and rambling tangents about insignificant things. Her mother is Madame Giry, who is a box keeper. You Read How Many Books? Liberation from the everyday grind. The answer is even worse. Raoul is kind of in the middle in this movie.

I found this book quite cold. So, a lot of thrilling moments that will literally nail you to your stool or a bed while you read it. The narrative explores the importance of humanity and the conflict between passion and caring. The setting is eerie, and the Phantom's creepy presence adds to the supernatural elements. In the book, Raoul tries to get Christine to run away with him after she tells him about Erik when they are on the rooftop. An uncanny tale of love and intrigue. Pairs richly detailed interiors and exteriors with painstakingly rendered characters, each easily distinguished from their fellows through costume, hairstyle, and bearing.

Basically, right away, Raoul loses it and can't stand the heat or the confusion of the mirrors. The Phantom threatens to drown someone as well as blow up the opera house.

Genre: Gothic/Romance. He tells the Persian he is going to die of a broken heart, and when he is dead, to put a notice in the paper and to have the ring he had given Christine placed with him. The characters other than Opera ghost do not stand last for many. What one finds instead is a characteristic Lloyd Webber project - long on pop professionalism and melody, impoverished of artistic personality and passion - that the director Harold Prince, the designer Maria Bjornson and the mesmerizing actor Michael Crawford have elevated quite literally to the roof. Speech that is being sung is denoted by musical notes in a textually energetic way, while the whole dialogue has pace. A fire resulted in a chandelier crashing to the stage which killed and injured many performers. Erik is portrayed as a walking corpse and his deformity makes it seem like his face is a real skull; his eyes are sunken into his sockets, and he's missing his nose. The phantom falls in love with soprano Christine Daaè which causes a ton of trouble for the opera house.

Ms. Bjornson drapes the stage with layers of Victorian theatrical curtains - heavily tasseled front curtains, fire curtains, backdrops of all antiquated styles - and then constantly shuffles their configurations so we may view the opera house's stage from the perspective of its audience, the performers or the wings. Erik tries to drown Raoul, but Christine pleads with him. Like Dumas, Gaston Leroux is wordy and stilted (at least in translation), but he wasn't as good a writer as Dumas. They wanted catharsis.

Thu, 16 May 2024 11:41:02 +0000