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Gently facilitated, generous invitations in the realm of ritual. How are queer art histories being written and presented? In a world where the screen is often taken for granted, how might we begin to dissect the ways video has transformed visual perception? In 1874, an art critic mockingly termed Claude Monet's painting of a sunrise over the sea "impressionist [... ] more unfinished than wallpaper in an embryonic state. " Through this process we can integrate our lost parts within ourselves those we only see in others, learn to love them and become more whole. Some of the artists we will look at: William Pope L., Ana Mendieta, David Hammons, Tania Bruguera, and the Yes Men. With attention to visual and literary ethnography, science fiction, feminist theory, and creative non-fiction, we will contemplate methods of making and inventing in the contemporary world, focusing on the transhistorical and transcultural production of knowledge. We will delve into the conflict between representations of individuals and representations of types, and we will attend to the complicated, sometimes fraught, relationship between photographer and subject, even when they are one and the same. ARTH 506 (S) SEM Expository Writing Workshop. This course attempts to look before and beyond these well-trodden histories. This lecture course traces the emergence of new modes of art- and image-making during two momentous centuries of European history that established the paradoxical foundations of our modern world.

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Sessions are held at The WACC in the Lunder Center at Stone Hill on the Clark Art Institute campus. In the UK in 1972, press and lawyers linked Stanley Kubrick's A Clockwork Orange to real-life crimes taking place. And I've got to add, NOBODY plays a scumbag piece of shit like Sid Haig. This is a Writing Intensive course, and there are no prerequisites to enroll. Either way, past historians molded this period with time as their medium, fixing the Renaissance at the dynamic center of history. The course does not simply focus on artistic production, but also contextualizes these topics in light of emergent theorizations and readings on femininity, feminism, and the sexual politics of representation. Photographic portraits are fine art and vernacular culture. This seminar charts the transformation of the built environment (architecture and urbanism) as a technology of space to govern cities and citizens from the mid-19th century until the present. We'll speculate how lens-based media may not only visualize experiences of belonging (or non-belonging), but facilitate connection. Studies in Hispanic Cinemas. And in a new edition!

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ARTH 533 SEM Michelangelo: Biography, Mythology, and the History of Art. This seminar will explore the role of the body in Latin American conceptual art through localized case studies, elucidating the body's particular strength as a vehicle for political and institutional critique, as well as its potential to unlock alternate narratives of conceptual practices in the region. As part of that subversiveness, she decided there would be no female nudity in the film, only male nudity. In this period, modern democracy was founded and determined by exploitative labor, the extraction of natural resources, and the rise of the trans-Atlantic slave trade. ARTH 573 SEM Modern and Contemporary Art from the Middle East and North Africa. Her gentle, welcoming energy and curiosity invites people to meet themselves with compassion and kindles the joy in always looking a layer deeper.

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I started their Nutrition, Farms & Gardens programs before starting my private practice. His practice is rooted in 15 years of academic and activist exploration of possible pathways for an ecological. We will engage in in-class exercises and games that deprive or enhance our sensorial experiences to consider and re-consider how we come to know the world and relate to its matter through our unique bodies and varying receptors. ARTH 332 (S) SEM Abstraction in Action: Global Modern and Contemporary Art.

"Daily Accelerated Awakening Circle". We will begin with current literature and then pivot back to the eighteenth century, tracing a sequence of episodes in art criticism's evolution as a genre by looking at key works of art as mediated by their first critics. At the same moment, he released a statement denying the power of art to make people act beyond their nature. This course is an exploration of the media and processes of sculpture, with the ultimate goal being visual fluency and the successful expression of your ideas. The syllabus will cover the historical and social contexts in which they started working, and how they followed, and departed from, artistic conventions of the time. Scholarship, much of it produced at WCMA, has often focused on their subject matter. ARTS 131 (F) STU Moments of intimacy in photography. Examining the intersection of concrete reality with the moving image, this seminar considers the implications of these spaces of liminality for the possibilities or limitations of the cinematic medium. Students will submit weekly GLOW posts to foster class discussion and undertake a major research project over the course of the semester. How wonderful to have Running Scared back in print. And perhaps most importantly, we will study work by artists that identify with the region and engage and complicate constructions of race, gender, religion, environment, autonomy and community. Students will be evaluated on their progress towards building a diverse and unique body of work, while strengthening their technical and analytical skills. In order to facilitate robust discussions and maximize student and faculty safety, the majority of this course will occur online. By 1980 however, just as Jaws and Star Wars gave birth to a newly-energised mainstream with the blockbuster movie, so shock cinema seemed to come to an abrupt stop.

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