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Zeitgeössische Fotokunst Aus Australien, Neuer Berliner Kunstverein, Berlin, Germany. Gwangju Biennale, Gwangju City Art Museum, Gwangju, Korea. Wonderland: through the Looking Glass, KadE Kunsthal, Amersfoot, The Netherlands. Lucy doll and penelope kay. We Are Connected, Art Science Museum, Singapore, Singapore. Newcatle Region Art Gallery, New South Wales, Australia. 36/37, Summer 1991, pp. Obsession: Devil in the Detail, Mornington Peninsula Regional Art Gallery, Mornington, Australia.

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Leggett, Mike, Patricia Piccinini, Photofile, no. Davies, Suzanne, The Idea of the Animal (exhibition catalogue), RMIT Gallery, 2006. Heartney, Eleanor, Art and Today, Phaidon Press, 2008, pp. Skywhale, Splendour in the Grass, Byron Bay, Australia. Kent, Rachel (ed), Call of the Wild: Patricia Piccinini (exhibition catalogue), Museum of Contemporary Art, Sydney, 2002. Teffer, Nicola, Body with Organs, Photofile, no. Lady penelope doll to buy. Vielhaber, Christiane, Junge Kunst ruckt nach vorn, Das Kunst Magazin, Vol. Zoe Forget, Hey (Modern art & pop culture), Ankame Editions, #15, 2013, pp. The XXII Triennale di Milano, Broken Nature, P a l a z z o d e l l A r t e, Milan, Italy. Melbourne Now, NGV, Melbourne, Australia. Alternative Realities tour, Gallery Artbeam, Seoul, Korea. Patricia Piccinini was born in Sierra Leone and lives in Australia. Murphy, Bernice, Patricia Piccinini in Zeitgeössische Fotokunst Aus Australien, Braus im Wachter Verlag, Heidleberg, Germany, 2000, pp.

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Zeitz, Lisa, Moped als Madonna: Das geheime Leben der Vespa, Kunstmarkt, 39501, p. 44. The Freeze, Maroondah Art Gallery, Melbourne, Australia. Thomas Macho, Das Schwein, Agora 42, 44424, pp. The Breathing Room, The Tokyo Metropolitan Museum of Photography, Tokyo, Japan. Wallis, Geoffrey, Eye to i: The Self in Recent Art, Ballarat Fine Art Gallery, 2007, p. Lucy doll and penelope kay adams. 90. Liverpool Biennale: International 2002, Tate Liverpool, Liverpool, England. Alternative Realities tour, Government Museum & Art Gallery, Chandigarh, India.

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Rosenberg, Randy, Art in Action: Nature, Creativity and Our Collective Future, The Natural World Museum, 2007. Bugden, Emma (ed), Patricia Piccinini: In Another Life (exhibition catalogue), City Gallery Wellington, 2006. The Instruments of Life, Kai Art Center, Tallinn, Estonia. Israel, Glenis, Essential Art, Jacaranda, 2007, pp. Malene Breusch Hansen, Researchers Wildest Tools, Bonnier Publications Int, 2016, p. 93. Konrad Marshall, High Flyer - Good Weekend mag, Fairfax press, 2021, Cover, pp.

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Boundaries Obscured, Haunch of Venison, New York, USA. PULSE: Reflections on the body, Canberra Museum and Gallery, Canberra, Australia. An Anthology of Writings on Australian Installation Art', Power Publications, Sydney, 2001, p. 301. Your Time Starts Now..., Contemporary Art Centre of South Australia, Adelaide, Australia. Art Gallery of New South Wales, Sydney, Australia. McDonald Crowley, Amanda, Creative Encounters: The Art/Science of Collaboration, Sarai Reader, 44230, pp. Rees, Simon, Adelaide Biennial of Australian Art exhibition catalogue, AGSA, 2004. Christian Gether, Stine Hoholt, Dea Antonsen, A World of Love, Arken Museum of Modern Art, 2019.

Moving Energies:10 Years me, me Collectors Room, Berlin, Germany. Wertheim, Margaret & Christine, Teratology in 'Patricia Piccinini: We Are Family' (Linda Michael, Ed), Australia Council, 2003. Marysa van den Berg, KIJK / Dier Maakt Mens, KIJK Magazine, Netherlands, 42917, pp.
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