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What are the consequences of genre conventions and audience responses? Potential Texts: We will read poetry by Phillis Wheatley and the poetic autobiography of her by Honorée Fanonne Jeffers. Course requirements include a weekly reading and viewing journal, a recommendation to your colleagues of a work of fantasy beyond what we will be reading together, a short essay, active participation in our discussions and a contribution to a collectively devised new magic system.

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Janeites: They have outfits. Potential Assignments: Numerous short assignments, two complete full-length stories, a final revision. Two biographies will also anchor our readings and provide a rich cultural context for the literature: biographies about a famous elite woman and an actress. Section 10 Instructor: Christoffer Turpin. How are storyworlds created? Donates some copies of king lear to the renaissance festival 2021. New GE: Foundation: Historical and Cultural Studies.

Hilarious and scathing in equal parts, it led Percy Shelley to claim, "Nothing has ever been written like it in English. " This course takes up a wide range of cli-fi to examine how writers imagine planetary futures. Good editions of single plays are published by Cambridge, Oxford and Arden, as well as by Folger, Pelican, Norton, Bedford, Bantam and Signet. Donates some copies of king lear to the renaissance festival tx. We will read a selection of biblical books in order to gain some appreciation of the Bible's wide range of literary genres, forms, styles, and topics. Your skills will grow and improve each week. Potential Assignments: Discussions, quizzes, creative and traditional essay options for midterm and final. Therefore, part of this class will be dedicated to developing and practicing collaborative writing skills and strategies. This course will explore the formal, social, and political engagements of Shakespeare's plays.

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English/CSTW 3467s is an interdisciplinary course on the issues, methods and history of tutoring writing. Either way, though, you should come away from this course with not only a fresh sense of both the eighteenth century and our present moment, but also the often twisted and counter-intuitive connections between the two. Potential Assignments: Most of your grade will be determined by your performance on the weekly quizzes and informal writing assignments designed to deepen your engagement with and appreciation of the literature you will be reading. We will also see how American writers used photographic portraits to help advertise and promote their writing, as well as how their writing helped establish key words for representing photography as a visual medium that is both hyper-realistic and uncanny. We come not to praise Shakespeare, however, but to study him, reading a sampling of his plays, in a variety of genres and over the course of his career. Possible authors include Carlos Bulosan, Jessica Hagedorn, Mohsin Hamid, Maxine Hong Kingston, Jhumpa Lahiri, Chang-rae Lee, Viet Thanh Nguyen, Julie Otsuka, Aimee Phan. Donates some copies of king lear to the renaissance festival.com. Intensive study of the middle ages. And how might we recognize these rhetorical modes as forms of liberation? We'll do a week on 'the weird' as a subgenre of sci-fi, and a week on the REALLY weird (Samuel Beckett, Franz Kafka, Jorge Luis Borges) in order to test the boundaries of sci-fi. Guiding question(s): How do we assess the intersections of artistic ambition and popular success? English 4575: Special Topics in Literary Forms and Themes.

Instructor: Evan Van Tassell. Section 10: Katelyn Hartke. We'll consider what happens when different media are combined into a single synaesthetic experience, and we may also think about the challenges of preserving, recapturing, studying and appreciating these works in the twenty-first century. Potential Assignments: You'll be keeping a "Director's Notebook" through the term, reflecting on interpretive cruxes and the challenges of adaptation; you'll engage in weekly discussions; for your final project, you'll imagine how you might go about producing your own "rogue adaptation" of one of the works we have studied. The creation of your Symposium Presentation will provide significant opportunities for considering the nature of your research, the relationship between visual and written text, and issues of writing craft. Recitations will enhance your understanding of these issues and develop close reading skills. English 4569—Digital Media and English Studies. We will read widely in contemporary literature, Environmental and Energy Humanities scholarship, view documentaries and visual art, and collaborate with the Museum of Biological Diversity. Sheila Wolosky's The Art of Poetry will be our guiding text along with a variety of poems from the English tradition, from the sixteenth century to the present day.

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Potential assignments: Course requirements include a paper, two responses, a final exam, quizzes and active participation in class discussions. How do their differences from us underline their similarities? Over the course of the semester will we ask how environmental justice reframes our ideas of nature, culture, violence, and the human. How do I find and use university resources such as the Writing Center and the library? How do we get from sentences on a page (or shots in a film) to worlds in the imagination? English 2291: U. Literature—1865 to the Present. This course will focus on "Black film" productions between 2019 and 2022. This course will examine the representation of vampires in popular culture, from their folkloric roots and their classic literary representations in the nineteenth century—John Polidori's Vampyre, Sheridan Le Fanu's Carmilla and Bram Stoker's Dracula—to their recent incarnations in TV, film and novels. We'll be reading graphic memoir and fiction about illness, recovery and the landscapes in between, from Justin Green's BINKY BROWN (1972) to John Porcellino's HOSPITAL SUITE (2014) - as well as readings in comics theory, narrative medicine, and criticism.

This course examines a wide range of fiction produced from locations that made up the British world system. It will teach us not only to recognize how the stories we read work, but how we, too, can learn to swim better, move through the waters with more confidence and success. Students will ask how companies make decisions in situations where the stakes are as big as they can be, how creators attempt to make corporate art personal to them, and how audiences respond to those works in an ever-changing cultural, political and economic landscape. Students will produce documents in different modes, including text, image and video, focusing on accessible and ethical communication practices. He is, without a doubt, the most canonized of English authors. Some possible authors include: Diane Cook, Mariana Enriquez, Samanta Schweblin, Deb Olin Unferth, Miranda July, Ben Marcus, Jamaica Kincaid, Lesley Nneka Arimah, Carmen Maria Machado, Kelly Link, Karen Russell, Nana Kwame Adjei-Brenyah, Joy Williams, Ottessa Moshfegh, Helen Oyeyemi, Catherine Lacey, Yukiko Motoya, Rita Bullwinkel and Aimee Bender. "Then she opened up a book of poems. This course teaches students to read and declaim Old English, the spoken language of the English people in the early Middle Ages (up to ca. Finally, each actor must make a host of interpretive decisions about the character that he or she plays. 03 (20): First-Year English Composition — Meanings Behind Movie Posters. In our course, we will focus on the literature of these social reform projects: women's suffrage, abolitionism, temperance, worker's rights, immigrant rights, agrarianism, sexual liberation, prison reform, and financial reform.

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Our sources will include scholarly studies and two different kinds of primary texts, namely, philosophical reflections on writing and excerpts from writing handbooks representing a range of historical periods and places. Instructors: Antony Shuttleworth. And every one of them words rang true. Advanced workshop in the writing of fiction. What does sci-fi world-building have in common with other types of modeling? Potential Assignments: Shorter writing assignments, engaged reading and participation, and quizzes will be required. Guiding Questions: We will explore what sort of beings celebrities are, if and how that varies by what they're celebrated for, why we're so fascinated with them, and what the cultural consequences of that fascination might be. Potential Texts: Toni Morrison, A Mercy; Phillis Wheatley, Complete Poems; Unca Eliza Winkfield, The Female American; William Hill Brown, The Power of Sympathy; Leonora Sansay, Secret History, or the Horrors of St. Domingo; Anonymous, The Woman of Colour: A Tale. In this course, we will explore how queer writers approach supernatural and futuristic elements in narrative fiction.

This course provides students with a broad survey of literature produced by and about the major U. racial groups from the late 19th century to the present. Guiding question(s): How do we read contemporary fiction? Which historical figures have LGBTQ writers and filmmakers invoked, reimagined and represented? Instructor: Adélékè Adéẹ̀kọ́. Authors of this era turned away from the optimism and aesthetics of earlier sci-fi and began writing stories that were more experimental, more political, and more interested in social issues.

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Guiding Questions: Where do games come from? English 4575: Special Topics in Literary Forms and Themes—Protesting Injustices and the Novel of 1790s. This is a hybrid class and will have both in-person and online components. In addition to well-known writers, such as Frederick Douglass, W. Du Bois, Langston Hughes and Zora Neale Hurston, this course will explore the work of equally important but less widely known authors, such as Harriet Jacobs, Ida B. Instructor: Pritha Prasad. Prompts and writing exercises will be provided. This class provides a unique opportunity for its members to learn about composition theory and pedagogy, tutoring strategies and writing center theories and practices in order to put these theories and practices to work in classroom and writing center settings.

Then, from what we learn, we'll write our own stories. This class is designed to support students in developing the skills they need to be successful English majors. We will discuss the conventions of academic writing and put them into practice. Authors will include: Edgar Allen Poe, Alan Moore, Truman Capote, Vincent Bugliosi, Janet Malcolm and James Ellroy. As students at The Ohio State University, you encounter on a daily basis people who do not share your particular racial identity, national or ethnic background, language, gender, social class, or other characteristics of your identity. Science fiction is good for an awful lot (including pure entertainment), but in particular it gives us a lens through which to observe and reflect on our own world. Through a series of projects, you will gain experience locating, identifying, interpreting and using objects within a collection of digital archives. Does the slang some African Americans speak have any relationship to the work of Black scholars who write academic books while teaching at universities? Smith, Leslie Jamison, Lia Purpura, Hanif Willis-Abdurraqib, Alexander Chee, Eula Biss, Diane Cook, Miranda July, Jhumpa Lahiri, and Carmen Maria Machado. Major assignments (research papers and in-class presentation) will emphasize research skills and the integration of multiple primary and secondary sources into literary-historical analysis.

This course trains students to be effective tutors in the Ohio State Writing Center or within the Writing Associates Program, which includes learning and applying strategies for working with writers of all levels and writing at all stages of completion and comprehension. Mobile devices--such as smart phones, computer tablets, and wearable devices--are ubiquitous, rhetorical technologies that we use daily to compose. Potential assignments: Observations in the writing center; tutor journal; final project. The second is to help you feel comfortable approaching fiction critically. Instructor: Sarah Neville, Christopher Jones, Amanpal Garcha, Sebastian Knowles, Christopher Highley and Ethan Knapp. We'll explore the social and political conditions in which Shakespeare wrote and aim to bust some common myths about several of Shakespeare's major works and his representations of gender, sexuality, race and social identity. We will not read or discuss the books by George R. ) You will re-watch, and read the transcript for, one episode per class period. Study of sites of literary importance and texts connected with them in the British Isles, Ireland and elsewhere. In this introductory poetry writing course, we will make poems and talk about them.

I'd say he's not yet past his use-by date, and in this course we'll see why he still hits the spot, reading plays in the major dramatic genres in which he wrote - comedy, history, tragedy and what later came to be called romance - as well as some of his poems; we'll also do some ancillary critical reading. Assignments: We'll have several short informal response papers and a few more formal unit papers, but no exams or quizzes. English 3379—Methods for the Study of Writing, Rhetoric and Literacy.

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