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Lucia Micarelli - She Is Like The Swallow

Artist: Lucia Micarelli & Leigh Nash. Mills, Alan and Jean Carignon. Well, she gave him one, she gave him three, His heart grew hard, and harder still. They would play battles through my fingers and I was hooked. Our systems have detected unusual activity from your IP address (computer network). 31 It is surprising that Peacock made this his primary or "A" version. A projectable for your computer/projector. It reflected a culture that predated post-renaissance Europe when tonal harmony-dominated musical theory developed. It sets the theme for the song, and as Mrs. Kinslow told Peacock, "That's the chorus of un, see? " A scarlet pillow for her head. Indeed, since Maud Karpeles first collected it in 1930, only five other texts from four other singers, and three other melodies have been reported by folksong researchers. Performance and accompaniment MP3s. LUCKEY'S BOAT/SHE'S LIKE THE SWALLOW [10043] ("Canadian Folk Songs"). Awareness and use of the canon continues in Newfoundland's artistic and political circles.

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Although Peacock grouped Walter's performance (as "A") with a version of "The Butcher Boy" sung by Mrs. Kinslow (as "B"), these are two different — though closely related — songs. I wasn't expecting to find it on here at all though. Indeed, verses "D" and "F" seem, like "B" and "C, " a contrasting pair. She took her roses and made a bed. 13 Her adapted text was published again in 1937 when Frederick R. Emerson included it and the tune — without Vaughan Williams's setting, although he does mention it — in his article "Newfoundland Folk Music, " in the first volume of Joseph R. Smallwood's influential Book of Newfoundland. On the one hand, Carpenter (115, 117), Narváez (215-216), and Lovelace have seen her from a perspective built on Newfoundland and Canadian experiences: a representative of the heavy-handed Empire-soaked colonial approach, that, in terms of the local perspective, retarded national cultural development. She's Like The Swallow, also known as "She's Like a Swallow", is a traditional folk song from the Candadian province of Newfoundland. 3 And out of the flowers she made her bed, A snowy-white pillow all for her head. Songs of the Newfoundland Outports. It was only at this time that Karpeles published her unedited field version of the text to Hunt's 1930 performance, and printed an annotative note. In the past decade influential Newfoundland folksong revivalists Anita Best and Pam Morgan have been performing a version learned from Laverne Squires that combines Karpeles with this Peacock text (Best and Morgan). I turn to the tiny amount of contextual information accompanying each of the five field versions of the song.

She's Like The Swallow Lyrics

Not until 1971, when Karpeles published the bulk of her collection in Folksongs of Newfoundland, did other references appear. A-picking the primrose just as she went. Cara Dillon sang She's Like the Swallow in 2002 at the Cambridge Folk Festival. These hundreds of small coastal fishing communities were seen to epitomize equality, self-reliance, solidarity, and other positive social values. Carl Strommen has a knack for arranging folk songs, and this arrangement of a Newfoundland love song is certainly one of his best. Consequently, the influential first published version of John Hunt's "She's Like the Swallow" looked like this: Figure Two: Karpeles's "adapted" text and music as published in 1934. Type the characters from the picture above: Input is case-insensitive. For purposes of description and the analysis that follows I have assigned sequential numbers to each verse in all of the texts presented in this article. 1-3]), Vaughan Williams (Karpeles 289-90 [ll. From this we can take a clue: children who heard and remembered "She's Like the Swallow" learned about contrasting gender perspectives concerning physical and spiritual love. Composer: Traditional Newfoundland. Originally published in Newfoundland Studies 4. Hunt actually gave Karpeles all of the lines of "F" but she reports them as the last two lines of a "corrupt" five-line verse followed by the first two lines of an "incomplete" final verse.

They Came Like Swallows

I'm suspicious of that placement since he did the same thing with Kinslow, who in her own sequence followed "B" with "C. ". In it we meet a third person who, upon seeing the young woman has died of a broken heart, confronts her former lover with this news, to which he responds that he's glad to know she "thought so much of me. " In 1998, Newfoundland filmmaker Mary Lewis's "When Ponds Freeze Over" won the Toronto International Film Festival's Best Canadian Short Film prize, and was named Canada's best short film at the Genie Awards. Emily Portman sang She's Like the Swallow in 2008 on Rubus' CD Nine Witch Knots. The swallow simile seems to be found only in Newfoundland, but the other verses turn up in various British love laments such as "Died for Love" and "Must I Go Bound. "

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Printed collections continued to be the sources for professional or semi-professional performers who interpreted them in concert, broadcast, and phonograph recordings. It was the only folk piece played at her memorial service. This song is from the album "Jewel In Crown". Verse G. As collected: Peacock A (Decker), 3. He puts the first chorus at the beginning whereas she places it after the first verse. Later she saw Peacock's version and added verses from that to the version she already knew.

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She dedicated her 1934 book to him and his wife. "Taking Apart 'Tickle Cove Pond'. " Finally got off at 5 and an hour's run took us up to old Jimmie Hunt's. This song is from the Canadian Folk Songs for Young Voices Volume 2 - SATB Collection, and Sing with the Symphony Volume 1. Kinslow clearly felt there was a "right way" to sing this song; when she did it for Peacock the first day she sang "A" after "B" and again at the end; the next day she recalled "C" and put it where she had had "A. " Absolutely no trouble to get them to sing, only a little embarrassed for fear their lack of education will make their songs unsuitable "for the likes of me. " There are English variations, but the tune may have originated in Newfoundland. 38 Mentioning that Peacock had collected two versions in Newfoundland, she suggested that Decker's version "may... [have] been influenced by the frequent broadcast performances which, I understand, the present version of the song [i. e., the one she published in 1934] enjoys. " Artist: Cara Dillon. "How foolish, foolish you must be. Like an archeologist, Karpeles rolled up her sleeves and dug into the distant minds of people living in isolated circumstances to unearth historical treasure. And as they sat on yonder hill. 63 Just as culturally gendered aesthetic preferences may have shaped the editing of the song for the reading public, gender may also pertain to the transmission and singers' interpretation of the song.

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He has two hearts instead of one. Laws gave "She Died in Love" the standard title of "Love Has Brought Me to Despair" and assigned to it the identifying number P25 ("The Butcher Boy, " a much more widely known piece, is P24) (Laws 1957, 260-261). Simms told Fowke he and his sister had learned it as children (Fowke 1965, 147). This verse presents familiar traditional metaphors that are also consistent with metaphors and images frequently found in much English popular and high art poetry. She sang the same text with a completely different melody. American Folklore: An Encyclopedia, ed. Words by Al Dubin, music by Harry Warren / arr. After my dad died I was very sad - I couldn't play for a while and when I did, the music that came out reflected my grieving state. "'The Badger Drive': Song, Historicity and Occupational Stereotyping. "

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1 "AUNT MARTHA'S SHEEP" (Taft 1986), "The Badger Drive" (Ashton), "Tickle Cove Pond" (Hiscock); all are songs that, taken from folk tradition in Newfoundland, have become local icons. His tune is that of the Karpeles version, and his text varies only slightly from hers, but when he published the song and music in a locally distributed songster in 1964 he labelled its origin "unknown" (Blondahl 1964, 120). Sharp's aesthetics were grounded in nationalist historical agendas — pre-industrial was good; pre-Christian was very very good. Debora Kodish's feminist perspective, articulated in her study of contrasting male and female ethnographic reports, is useful in this regard. There he made two recordings of Mrs. Wallace Kinslow.

Jan Harold Brunvand, pp. He noted: This has a theme which is common to many traditional songs, that of a girl who becomes pregnant and dies of a broken heart following the departure of her unprincipled lover. Folk Song: Tradition, Revival, and Re-Creation, ed. This lilting English folksong " I Love My Love" is one of a group of great arrangements in the King'singers' repertoire. Peacock, engrossed by the record-setting new verse ("C") of her second performance, answers her distractedly "Um-hm, " so she rephrases her instructions about sequence before telling him about the new verse she had just remembered: "That goes twice. An analysis of the text sequences of the five versions from oral tradition suggests that while there are substantial differences between the texts as recorded, they all appear to follow a basic sequence, one which is not suggested by the 1934 Karpeles version or followed by Peacock's two published versions.

PEA122, tape 874, on MUNFLA tape C11064B (accession #87-157).

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