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3. A bit of matter and a little bit more翻译
4. A little bit of a lot
5. A bit of matter and a little bit more on radio

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A Bit of Matter and a Little Bit More, 1976. video, color, sound, 23 min. Music: Marzette Watts. With a fixed framing, a packet of cigarettes on a table is repeatedly moved back and forth by a hand while an off-screen voice repeats the manifold conditions of existence of a work of art. A female voice completes the phrase replying "and/or effected. " Secondary Navigation. A Bit of Matter and a Little Bit More ... La Collection et…. 21, featuring JONATHAN ANDERSON. He enjoyed going to Harlem to eat and listen to jazz, and also learned how to hotwire cars. Weiner's desire to present art as accessible, both to audiences and other would-be artists, would come to define his career. ONE QUART EXTERIOR GREEN INDUSTRIAL ENAMEL THROWN ON A BRICK WALL.

A Bit Of Matter And A Little Bit More翻译

He restages and re-examines seminal works of 20th century Conceptual and Minimal art, reflecting on appropriation and demystifying the creative process. Weiner even designed his own typeface, Margaret Seaworthy Gothic, to convey the particular, poetic spirit of his work. His text, like this selection of ephemera, reminds us of the institution's history and the many people who have contributed to it, each adding a little bit more. 1976), which he refers to as a "programmatic" and "very structured tape [... A little bit of a lot. ] about playing games", and which features a homosexual male character who feels uncomfortable around lesbian women. Weiner graduated from high school at 15 and enrolled in courses on philosophy and literature at Hunter College. This seems to reaffirm the Chomskyan idea of a deep, universal structure underlying all languages - and perhaps all perceptual encounters with reality - and therefore providing a basis for human communication across any given social, cultural, or racial boundary, that informed his early work. Under Heiss's leadership, the institution grew into a mainstay of the New York cultural landscape over the following 25 years, eventually merging with The Museum of Modern Art in 2000. The video opens with the close-up of a woman who reads a book seated at a table.

A Little Bit Of A Lot

Looking back on these works later in his career, he conceded that although he thought them to be "important" and impressive at the time, he ultimately came to feel that they weren't. Players: Martine Rapin, Cynthia Pattison, Mike Grotto, P. Hoenderdos, D. Kaplan, Susan Davis, Ms. Tacks/Takes. ‎A Bit of Matter and A Little Bit More (1976) directed by Lawrence Weiner • Film + cast • Letterboxd. Shipping fees for your order will be automatically calculated depending on the weight, the volume of the package(s) and the destination.

A Bit Of Matter And A Little Bit More On Radio

Icarus - Nina Liebenberg. He notes that in A FIRST QUARTER, "my major dialogue was existential: I decided to make a mise-en-scène that was closer to where my work could exist, and, in fact, cheapen its value within the society. " Your order requires a production process of approximately 1-3 days, depending on the number of incoming orders. The artist's first full-length film, it was originally produced in video form and then transferred on 16 mm film, which lends the images a soft and blurred texture. In New York they lived on Bleecker Street for over 30 years before moving to the West Village, into a residence in a converted bakery dating to 1910. I was working with mass, I was working with all of the processes of taking out and putting in [... ] I also realized that I was dealing with very generalized structures in an extremely formalized one [... ] we were all talking about the ideas generated by placing a sculpture in the world. A Bit of matter and a little bit more By Lawrence Weiner. Recommended Questions. American Conceptual Artist. Roland Gebhardt (1939, SR) is a New York based artist and designer.

Eugenia Delfini (1983, IT) is an independent curator based in New York. MADE TO PRODUCE A SPARK, 2006, was created by the artist specifically for the stairwell space that links the various floors of Castello di Rivoli. 16, featuring OLIVER SIM. He was therefore engaging in a subtly radical movement to democratize the discourses around modern art. Previous question/ Next question. A bit of matter and a little bit more on radio. This video was first exhibited in Basel, Switzerland, in 1994. It was there that Weiner met his future wife, a waitress named Alice. Renowned for his immense banners, posters and oil stick rubbings, Matt Mullican draws from a personal source of forms and symbols to create his utopian city views. Marker, poster series. In his own film, Weiner adopted many of the techniques used by Godard and other directors of Nouvelle Vague cinema, such as the presentation of simultaneous realities, altered flashbacks, and plays on time and space. British conceptual artist Jonathan Monk and Berlin haubrok foundation are connected through a long-standing friendship and a thriving relation, resulting in joint projects and exhibitions.

Probably Weiner's most complete film, the work is a fictional narrative with characters. His work from the late 1960s onwards is an example of the "dematerialization of the art object" - to use the language of art critic Lucy Lippard - whereby visual and physical form is replaced with pure language. Five specific actions "under the direct responsibility of the artist" make up this video. From BIG SMALL, COS Magazine AW 17. But it was the events following the show that provided a moment of epiphany. A bit of matter and a little bit more翻译. At an unfurnished apartment we see several couples having sex while a woman stands up against a wall talking to the camera, as she is reading '100 Rocks in a Wall', one of the books by Lawrence Weiner. • Please select your style, size, and color from the drop-down menu or write a message in the "notes to seller" section. In a later exhibition in Zürich, Switzerland, the video was placed at the foot of a Madonna and Child sculpture emphasizing the religious notion of damnation as suggested by the video. The work is imagined as a series of "simultaneous realities" along the lines of Godard's cinema. In the video, the artist swims nude in an incandescent lava bath and cries out "I am a worm and you are a flower! " SELF STUDIES, design direction. He often chose to locate his works in public spaces, including on exterior walls and floors, rather than in galleries, and the language of his work often explored the material objects and processes around it, asking questions or making connections. Cutaneous tuberculosis.

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